Last weekend I escaped the very brown and cold upper-Midwest for Oregon, where I presented a paper on Tim Winton’s Dirt Music at the Western Region’s Conference on Christianity and Literature.  The conference focused on the sacred/secular divide as represented in Isaiah 1:22, where innkeepers are blamed for mixing water with wine, a passage that left many early commentators to conclude that sacred and secular wisdom should not be mingled. Papers at the conference ranged from work on Adrienne Rich’s appropriation of Simone Weil to roundtables about designing courses around special topics. While it is always wonderful to hear about everyone’s current research and commiserate about the papers piling up for grading as the term draws to a close, the highlight of this year’s conference was, for me, hearing some of the undergraduate papers from students at Corban University  in Salem, Oregon. These young men and women truly held their own in a professional setting, presenting insightful papers on a range of topics.

 

For my own part, I challenged the notion of a sacred/secular divide. Using Dirt Music as a focal point for considering the biblical claim that “The earth is the Lord’s, and everything in it,” I argued that the theological binary of sacred and secular is a misrepresentation of the world in which we live. Rather, Winton’s novel reminds us that, no matter how far away God seems to be—no matter how absent from our cultures and institutions (even if that institution is just the pub), no matter how impossible belief, no matter how horrible our pasts, there is nowhere we can escape from the presence of Christ. As I wrote in the conclusion of my paper, “Even when we move him out to the back shed, shut him up in the dark, and forget about him, he will haunt us, hunt us down, and chase us all the way home.”

grace & peace,

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